Audio
Art of Virus was composed in August 2020 for The Art of Virus, an international composition project. The Art of Virus uses music to simulate the spread of an epidemic, the mutation of a virus, its incubation period, disappearance, and reappearance. Each composer writes a fragment of approximately 16 bars and then passes it on to more composers. These composers continue the next section based on the ending of the previous fragment. The compositional material is also derived from the fixed pitches designated by the preceding composer.
Circle of Life was composed in 2019 and depicts the life cycle of a seed—from germination to maturity and then returning to the soil—through electronic music. Various degrees of wind, sunlight, rain, and insects either nourish or hinder the seed’s growth. However, nothing can stop the cycle of life.
Diagonal Symphony, composed in 2019, is based on the mathematical model L-System, proposed in 1968, which describes cellular interactions in growing structures. The piece was performed in synchronization with a 1923 German film directed by Viking Eggeling. Conducted by Jean-Philippe Wurtz, it was performed by Tempus Konnex and Ensemble Linea in Dessau, Leipzig, and Strasbourg.
If I Were to See You Again, composed in 2019, is a soundtrack for a short film. The story follows a father who reunites with his long-neglected daughter. Hoping to receive her forgiveness before his passing, he ultimately misses the opportunity for reconciliation.
Intrigued Brain was completed in 2021, combining scientific phenomena with electronic music. EEG technology was used to record brainwave activity while watching a horror film, and the data was transformed into musical material in three different ways using OpenMusic (an object-oriented visual programming software for music composition). The materials were then edited, arranged, and mixed in Logic Pro (a DAW and MIDI sequencer for Mac). Finally, the music visualization was created using Processing 3 (an open-source programming language designed for electronic art and visual interaction).
Play, composed in 2021, is a remixed and restructured version of the multimedia artwork presented in UNESCO’s City to City – Play! project. The original intent of the piece was to use sound as a medium for artistic exchange, fostering mutual respect and understanding. This idea aligns with the project’s principle: Open minds for understanding individual bodies.
Project link: https://arcosdance.com/told-hold/
Subkiss, composed in 2020, is a soundtrack fragment for a film about an electronic music composer who creates hallucinogenic music. His experiments in electronic music ultimately lead to tragedy. The excerpt accompanies a scene where a girl dances under the music’s hypnotic effects, ultimately leading to her death.
The Color, completed in 2021, was created for an experimental electronic concert. Originally, it was designed to integrate motion tracking technology, combining sound with spatial movement. Based on a modern poem titled Color, it was written in Chinese in a specific space, synchronizing bodily gestures during the writing process with sound. The work merges body, sound, and visual art. The poem conveys themes of anti-discrimination and the promotion of human rights.
Us, composed in 2020, captures the essence of love—not through dramatic moments but through a steady and enduring connection.
Variation, composed in 2015 for violin and piano, is a set of variations inspired by Milan Kundera’s novel The Unbearable Lightness of Being. The theme and six variations correspond to the novel’s seven chapters.
Video
Music Visualizazion
The Color (2021)
Intrigued Brain (2021)
Circle of Life (2020)
Music for Film
L’homme Orchestre (Silent film excerpt) (2019)
Metropolis – Flood Theme (Silent film excerpt) (2019)
The Gold Rush (Silent film excerpt) (2019)
(More videos please contact composer)
Music for Game
An Audio VR Game (Demo) (2021)
A Social Game – told-hold (UNESECO Project) (2021-2023)
